Friday, 29 June 2012

BONUS! EARLY MOVIE OF THE WEEK (7/3/12): THE AMAZING SPIDER-MAN



"Seriously, man ... All I wanted to do was some yoga – can't you see me trying to get into the lotus position?!" Peter Parker (Andrew Garfield) finds himself embroiled in battle in a scene from director Marc Webb's THE AMAZING SPIDER-MANCredit: Jaimie Trueblood © 2011 Columbia Pictures. All Rights Reserved.

KEY VOICE CAST MEMBERS: Andrew Garfield, Emma Stone, Rhys Ifans, Irrfan Khan, Denis Leary, Sally Field, Martin Sheen, Campbell Scott and Chris Zylka 

WRITER(S): James Vanderbilt, Alvin Sargent and Steve Kloves (screenplay): James Vanderbilt (story); Stan Lee and Steve Diko (characters)

DIRECTOR: Marc Webb


THE PLOT: A complete reboot of the first of the Marvel franchise films that led to the development of the iconic comic book company's own film studio, The Amazing Spider-Man finds Andrew Garfield in the role of Peter Parker. A smart but angst-filled teenager who's an outcast at high school, Peter has been searching for answers in his life ever since the day his mother (Embeth Davidtz) and father (Campbell Scott) left him with his uncle Ben (Martin Sheen) and his aunt May (Sally Field). Because that's the last time he ever saw them alive ...

Now a young man with a penchant for photography, Peter is very into science ... Which is why he is so intrigued when he discovers an old briefcase that was his father's in his aunt's and uncle's basement. You see, on the day his parents took him and fled their home, there had been an apparent break-in, but this briefcase had been saved – containing inside it some top secret documents related to his father's work at Oscorp. (And as any long-standing Spider-Man fan knows, there's a LOT of secretive things going on at Oscorp.)

Destined to learn more, Peter manages to find his way to Oscorp's offices – which is where he hopes to meet Dr. Curt Connors (Rhys Ifans), a brilliant scientist who is a foremost expert on reptiles. Having lost part of his right arm in an unspecified accident, Dr. Connors is very interested in the idea of re-generation ... But despite all his tries, he's never been able to get his various attempts to duplicate reptilian limb regeneration quite right dating back to the days when he was working with – wait for it – Peter's father. But given the constant pressuring by Oscorp official Rajit Ratha (Irrfan Khan), Dr. Connors keeps pursuing his work – even if it may have some serious consequences.

Something else, however, catches Peter's eye at Oscorp – or should that be someone else, perhaps? For Oscorp also just so happens to be where Gwen Stacy (Emma Stone), a fellow classmate, works as an intern. And then, as fate would have it, Peter stumbles upon something he was never meant to see which leads to him being bitten by a very different kind of arachnid ... I think you know where this is going ...

So, what happens when a teenage boy who is coming of age and discovering love while at the same time filled with questions about his father gets set on a collision course with a scientist who is conducting potentially dangerous experiments that could turn him into a raging monster?

It could be nothing ... It could be something ... It could even be something amazing ...




THE TAKE: While there's no doubt it's third in anticipation behind this summer's other two superhero movie releases (and if you don't know the other two films I'm talking about, you are so out of touch you likely still own a VCR), The Amazing Spider-Man is likely the one with the most to lose.

You see, while Marvel's other big summer tentpole film has been slowly building to its debut for years since the release of 2008's Iron Man, The Amazing Spider-Man is coming out just 5 years since the ill-dated Spider-Man 3. And the lack of desired success of that film is still fresh in many people's minds. Likewise, given the quality and success of the first two Spider-Man films, many moviegoers already have a very defined idea of not only what Peter Parker is, but also who he should be. Thus, The Amazing Spider-Man finds itself not only in a position where it has to attract an audience, but also get that same audience to accept a new concept of not only Peter Parker, but his origins, the people in his life and how he ultimately becomes the world's most famous web slinger.

Thus, the question remains - is The Amazing Spider-Man a strong enough film to achieve all of the above. Having seen the film, I will answer that question with a tentative "yes" ... But much like this version of Peter Parker himself, I have no idea just how many people in the world will be ready to accept that reality.

Now, let's go over a few things you'll likely need to know ahead of time before going into The Amazing Spider-Man:

[1] This is not your father's ... Actually given the age of most of the people going to this film, this is not your Peter Parker. Is he still extremely smart, but unlike the previous P-Squared (I need a nickname for him at this point - I can't keep typing 'Peter Parker' all the time - oh dangit! Moving on ...), he is cocky and a tad arrogant as his daddy issues  have tended to make him a little less trusting of authority.

[2] Whereas there are things about this incarnation of Spider-Man that are far different than the previous movies, there are things that are truer to the comic book that longstanding fans may be happy to see (i.e. his Web slinging ability, the Gwen Stacy story cannon) ... Or absolutely hate (i.e. the new backstory with his father, the complete absence of J. Jonah Jameson, the Gwen Stacy story cannon and how he survives some of his encounters).

 [3] Like many of Marvel's recent film endeavors, this film has a big presence in it that is actually never seen in the film. This is a BIG figure in the Spider-Man cannon and one that will likely make their debut in the next Spider-Man film (if there is one). Interestingly enough, the best thing director Marc Webb may have done is not have this persona in the film but used every opportunity possible to build up anticipation for the sequel ...

As far as the film itself goes, The Amazing Spider-Man is an entertaining film that does an effective job of taking what you may (or may not - I don't know what movies you people are watching!) seen, tweaking it and making this version its own unique incarnation. Garfield does a very good job at taking the Peter Parker character and making it his own while. This is a Spider-Man that may still be learning what all he can do, but unlike the previous incarnation, he is confident he can do it, knows me must do it and is willing to put himself at great disk to do so.

Stone, Sheen and Field (that sounds like a law firm, doesn't it?) are also adept in their roles, each adding a necessary element to Peter's growth into his Spider-Man persona. Sheen's uncle Ben is more down to earth and not as grandfatherly as Cliff Robertson's version whereas Field's Aunt May is much less the wise matriarch Rosemary Harris was than she is a worried soul concerned for Peter's well being. 

A bit more violent than past Spider-Man films, Amazing could almost be subtitled "The Arachnid Begins" for its (albeit nowhere near as dark) Batman Begins-like overall tone. This film doesn't really focus a lot of humor and when Spider-Man is cracking wise, it's usually to break down/intimidate someone as opposed to doing it for your amusement. Now, as far as the battles with The Lizard go, they aren't bad, but they do almost have a bit of an anti-climatic feel to them as Ifans' character is played as more of a sympathetic figure than some of Spidey's past villains. That's not to say you won't enjoy them, but think of them as being on more of an "Iron Man vs. Whiplash" level than say what you saw in The Avengers and you'll be all right.

Is the world ready for another batch of Spider-Man movies, now with a darker tone, a moodier lead, a possibly interconnected web (no pun intended) villains and back story? That's a question I can't answer. I CAN, however, answer the question of whether or not the darker tone, moodier, possibly interconnected web of villain Spider-Man can result in an entertaining movie despite many of us already knowing the story? Yes, yes it can and does. Whether or not people are ready for it, however, remains to be seen ...

PARTING SHOT: While it's not perfect, The Amazing Spider-Man is an entertaining reboot of the franchise that takes Stan Lee's most famous superhero into some very interesting – and potentially polarizing – directions. 

RATING (OUT OF FOUR BUCKETS OF POPCORN):

Weekend reviews--Love that "Magic Mike," hate that "Ted"


An alarming moment this AM, clicking on a link to the Palm Beach Post
and finding this review I don't recognize, with my name on it, singing
the praises of that piece of poop, "Ted." A testy note was sent, you can
bet on that.<a href="http://www.vindy.com/news/2012/jun/29/ted-is-empty-and-not-funny/"> Didn't care for "Ted" at all</a>. Ugh. Don't get Seth MacFarlane

Thursday, 28 June 2012

MOVIE OF THE WEEK #2 (6/29/12) MAGIC MIKE


 
"Hear that sound? It's the sound of your girlfriend panting heavily watching me and my boys - who are in much better shape than you are - entertain her better than you ever could!" Tito (Adam Rodriguez), Tarzan (Kevin Nash - yes, the professional wrestler), Mike (Channing Tatum), Ken (Matt Bomer) and Big Dick Richie (Joe Manganiello, with quite possibly the best character name in the history of non-adult cinema) hit the stage in a scene from MAGIC MIKECredit: Photo Courtesy of Warner Bros. © 2012 Warner Bros. Pictures. All Rights Reserved.


KEY CAST MEMBERS: Channing Tatum, Alex Pettyfer, Matthew McConaughey, Cody Horn, Olivia Munn, Matt Bomer, Riley Keough, Joe Manganiello, Kevin Nash, Adam Rodriguez and Gabriel Iglesias

WRITER(S): Reid Carolin

DIRECTOR: Steven Soderbergh

THE PLOT: A film spawned from the star's own youthful experiences, Magic Mike stars Channing Tatum in the titular role as the star of an all-male revenue in Tampa. And he's very, very good at what he does. Run by Dallas (Matthew McConaughey), Club Xquisite is the place women love to be come Thursday-Saturday nights. But while Tarzan (professional wrestler Kevin Nash), Ken (Matt Bomer), Tito (Adam Rodriguez), Big Dick Richie (Joe Manganiello) and the club's DJ (Gabrielle Igelesias) enjoy the life for the simple pleasures - which is women, mostly - Mike has other plans.

You see, not only does Mike strip, but he also runs a small auto detailing business on the side in addition to working the odd construction job when he can find the time. Mike has a dream, you see, to one day own his own custom furniture store. So while the others might take their $1 bills and spend them freely, Mike is stacking his inside a safe so he can build to the future one lap dance at a time. That doesn't mean he doesn't enjoy the occasional hookup himself, however - psychology student Joanna (Olivia Munn) being one of his top choices.

Showing up to a construction job one day, Mike meets Adam (Alex Pettyfer), a 19 year-old who acts as every bit as young as his age would have you believe. Quickly taking to calling Adam "The Kid," Mike ends up introducing him to his nighttime hustle - and after some initial apprehension, The Kid is all in. But as The Kid gets adjusted to the stage, Mike finds himself getting adjusted to something - or make that someone, rather - else: Brooke (Cody Horn), a.k.a. The Kid's older and much wiser sister.

Ever the good guy, Mike promises Brooke he will look after The Kid to make sure nothing bad happens to him. But will he have enough magic to make sure that is a promise he can keep? Only time will tell ...

THE TAKE: Magic Mike is a bit of perplexing film to review. Now, if all you really want to see when you go to Mike is very in shape, shirtless (and pants-less) men gyrating to intense dance tracks, you will be more than happy with the finished product. There are plenty of bare chests (both male and female) to be found throughout the movie ... And yes, ladies, things get as "cheeky" as the dialogue does at times. When Tatum and company hit the stage, jaws will likely hit the floor and if that's all you're coming for, story be damned, you'll likely be satisfied with Mike.

However, if you're actually interested in the story and plot of the film, you might walk away a bit flustered as the story feels like it ends in the middle of act two of at what is (at least) a three act play. Without giving too much away, it's Boogie Nights with the partying and fun, then the drama and conflicts minus the full circle development needed to really bring everything together.

Tatum, for his part, is fantastic as he continues to make the transition from moving mass of muscle (watch G.I. Joe: The Rise of Cobra for an example of his former "flex first, act second" roles) to enthralling on-screen presence. Be it a scene where he is stripping to the likes of Ginuwine's "Pony" or showcasing his business acumen, Mike is magic for Tatum in terms of showing how he continues to evolve as an actor. (And on a side note, anytime you can captivate the attention of a theater of 250 or so people of both sexes while stripping, you're probably doing something right.)

Problem is, the story is anything but rudimentary for the most part - and that's not really a knock on the rest of the cast. Pettyfer is fine in his role as The Kid, it's just that The Kid is too much of one for his - and the audience's - own good. Sure, he's 19 ... But watching a character who knows he's a screw up continually know he's making bad choices but says to hell with it while kind of being aloof at the same time (watch the movie and you'll see what I mean) is a bit much.

Likewise, while Horn is effective in her role as Brooke, you never, ever really get any sense of romantic connection between the two and her character's general demeanor never makes you understand why Mike has interest in her at all. Effective in terms of progressing the story? I guess. Interesting while doing so? Maybe - at best. She's like a blonde Kristen Stewart ... But only in the 'Hey, I'm not comfortable in my own skin but knowing I'm not comfortable in my own skin makes me comfortable' kind of way that Stewart has since thankfully progressed past.

Bottom line, Magic Mike is at its best when Tatum and company are on stage. For off stage, while Mike is an interesting guy to watch, but the people around him are bringing him down - both in terms of the character's life and his movie. The idea of Magic Mike is great; the execution of said idea, however, isn't quite ready for a visit to a champagne room at times. There's a lot of interesting places Magic Mike could have gone ... But sadly, most of them are still on the pole less danced.

PARTING SHOT: A film that showcases Channing Tatum's best assets – pun intended – as an actor to date, it's a shame Magic Mike feels more like a cheap parlor trick than the true show stopper he deserved. 

RATING (OUT OF FOUR BUCKETS OF POPCORN):

Tuesday, 26 June 2012

Steve Martin's letter to little Judd Apatow


This has scampered across the Twitterverse, thanks to Judd Apatow's posting of it.
It's the way Steve Martin responded to fan mail (some fan mail) back during his Wild and Crazy Guy days. Very cute. Personal enough -- despite the form letter trappings.
Remember, this was the era when he'd drag a comedy club audience all the way to Mcdonald's and order one French Fry.

Tonight's screening: "Ted"



I think the photo says it all, no?
Seth MacFarlane's dirty little animation-centric mind, Mark Wahlberg, a guy who hasn't outgrown his walking, talking, cursing teddy bear.

MOVIE OF THE WEEK (6/29/12): TED










"We're so wasted we're not even acknowledging the fact the teddy bear is alive!" John (Mark Wahlberg) and his best friend (voiced by co-writer/director Seth McFarlane) prepare to do shots with their childhood hero (Sam Jones) in a scene from McFarlane's first live action full-length feature, TEDCredit: Universal Pictures/Tippett Studio © 2012 Universal Pictures. All Rights Reserved.


KEY CAST MEMBERS: Mark Wahlberg, Mila Kunis, Seth McFarlane, Giovanni Ribisi, Sam Jones, Jessica Stroup, Joel McHale, Patrick Warburton and Patrick Stewart 

WRITER(S): Seth McFarlane, Alec Sulkin & Wellesley Wild

DIRECTOR: Seth McFarlane

THE PLOT: The first live action feature film from Family Guy/American Dad!/Cleveland Show magnate Seth McFarlane, Ted stars Mark Wahlberg as John Bennett, a 35 year-old suburban Bostonite who lives with his girlfriend Lori (Milas Kunis). Dating for 4 years, the couple is living a fairly happy life together ... Well, there is the fact John's job working at a car rental facility really isn't going anywhere and Lori's boss (Joel McHale) hits on her relentlessly. But neither of those things is the biggest issue potentially threatening their relationship ...

No, that would be Ted (voiced by Seth McFarlane), the teddy bear that came to life one magical Christmas holiday when John was 8 years old and has been the formerly lonesome boy's best friend ever since.

You see, while John and Lori are trying to mature their relationship, Ted is still as immature as ever, regularly enjoying smoking marijuana, getting drunk and doing basically what most college students enjoying doing. And therein lies the quandary: Can John finally become a man ... And if he can, can he do so while leaving his best friend behind?

But don't feel too bad for Ted. He is a former celebrity, after all ... And some fans like Donny (Givoanni Ribisi) still really hold him in a special place in their hearts ...

THE TAKE: Here are three simple questions that will answer whether or not you will like Ted:

[1] Do you like Family Guy, American Dad! and/or The Cleveland Show?
[2] Are you okay with ribald, raucous humor featuring a plethora of four-letter words and jokes that rife with political incorrectness that have the potential to offend just about dvery major social/political/religious group?; and
[3] Do you wish to see what is easily the funniest movie of 2012 thus far, even better than 21 Jump Street?

If you can't tell where I'm going with this, why are you still reading? Ted is the type of movie that will have you laughing to the point your stomach will hurt - and that's the highest compliment I can pay a movie of this nature.

Also surprising - or at least for anyone who's watched a lot of his previous attempts at comedy like the should-have-been-better-but-it's-just-since-been-long-forgotten-by-most The Other Guys - is how strong of a performance Wahlberg turns in. In Ted, you never once get the feeling he can't believe he's talking to a teddy bear; you get the sense that he is talking to a real person whom he cares about deeply. It's that sensitivity to the character that makes every joke work in the film, for without that, you really wouldn't be able to embrace all of the ridiculous activities, wordplay and general insanity he and his stuffed companion get into. Likewise, the film's story - about a man being forced to grow up and become an adult - wouldn't work.

Ted is a McFarlane affair, so longstanding fans of the show should know what to expect (minus the cutaway gags) in terms of language, subject matter and the like ... Which means Patrick Warburton (a.k.a. Officer Joe Swanson), Patrick Stewart (a.k.a. CIA Director Avery Bullock), Alex Borstein (a.k.a. Lois Griffin) and Kunis (whose character in the film might be described as an attractive version of Meg Griffin) are all utilized at various points effectively. Throw in some surprisingly effective cameos, "I can't believe they just said/did that" moments and a nice touch of humanity (not said ironically) in handling Ted and John's relationship and you have the makings of a really great movie. While it's not perfect, it's entertainment value more than makes up for its flaws and really, what more can you ask for from a comedy about a foul-mouthed talking teddy bear and his 35 year-old best friend?

PARTING SHOT: A film that will appeal to longstanding Family Guy fans while finding plenty of new ones, Ted is a raucous comedy that will make you cry ... Because you won't be able to hold back your laughter.

RATING (OUT OF FOUR BUCKETS OF POPCORN):

Monday, 25 June 2012

THIS WEEK'S NEW RELEASES (6/29-7/3/12)


 


"Know what's on the other side of this webbing? It better be a lotta box offices receipts or I'm in trouble!" The alter ego of Peter Parker (Andrew Garfield) spins his trademark web in a scene from THE AMAZING SPIDER-MANCredit: Courtesy of CTMG./ImageMagick © 2012 Columbia Pictures Industries, Inc. All Rights Reserved.

MAGIC MIKE (Warner Bros.)

TED (Universal)

PEOPLE LIKE US (DreamWorks)

TYLER PERRY'S MADEA'S WITNESS PROTECTION (Lionsgate)

THE AMAZING SPIDER-MAN (Columbia)

*EDITOR'S NOTE: All release dates are subject to change.

"Safety Not Guaranteed" -- low budget sci-fi, in Orlando Friday

Three magazine writers show up to reply to a classified ad for a guy who seeks a companion for time travel. Simple enough. But then again, "Safety Not Guaranteed" is in the ad, too. This opens Friday in Orlando. Funny, off kilter, "Little Miss Sunshine" folks involved.


MOVIE OF THE WEEK #2 (6/22/12): SEEKING A FRIEND FOR THE END OF THE WORLD

 
"So what the world's ending ... This couch is way too comfortable to get off of right now!"Penny  (Kiera Knightley) and Dodge (Steve Carell) share a moment before impending doom in a scene from writer/director Lorene Scafaria's SEEKING A FRIEND FOR THE END OF THE WORLDCredit: Darren Michaels © 2012 Focus Features. All Rights Reserved.

KEY CAST MEMBERS:  Steve Carell, Keira Knightley, Connie Britton, Adam Brody, Rob Corddry, Gillian Jacobs, Derek Luke, Melanie Lynskey, T.J. Miller, Mark Moses, Patton Oswalt and William Petersen

WRITER(S): Lorene Scafaria

DIRECTOR: Lorene Scafaria


THE PLOT: A film that arrives just in time for all those who believe the Mayans will be correct with their calendar prediction, Seeking a Friend for the End of the World stars Steve Carell as Dodge, a man who isn’t exactly having the best of luck lately. You see, Dodge’s wife Linda (Carell’s real-world spouse Nancy), has just left him, literally running away from him during a car trip.

So understandably, maybe that’s why he’s failed to fully embrace the seriousness of the bigger problem he – as well as every other living soul on earth – faces:  All life on earth is about to be wiped out by “Matilda,” a huge asteroid that mankind’s last ditch effort to stop has failed and failed miserably. 

Meanwhile, Penny (Kiera Knightley) has been having a tough go of it lately as well. She seemingly can’t make a clean break with her ex (Adam Brody) and she’s missed the last flight option she had to get home to her native England … Then again, given her penchant to sleep in the noisy of conditions, if she crashed before the asteroid hits, she might not worry about it too much, anyway.

Returning home from work one evening, Dodge ends up crossing Penny’s path and makes two discoveries: Not only do they live in the same building, but that the mailman has been accidentally delivering some of his mail to her apartment – including a letter from Rose, a.k.a. “the one that go away.”

Now, with the world coming to an end, Dodge and Penny are about to embark on a journey that could be the love story of a lifetime … Albeit a very short one.
THE TAKE: If there is one thing Steve Carell has perfected no matter the character he is playing, it’s the art of being understated verbally while speaking volumes with his demeanor. Be it something as subtle as a dash of the eye, a shoulder shrug and/or a quick, nervous smile, Carell’s ability to control a scene without saying much is one of his strongest attributes, making it oh so much more impactful when he does speak.

In regards to Seeking a Friend for the End of the World, the marriage between his non-speaking and speaking skills has arguably never been better or more effective in a role that – in a perfect world – would earn the veteran actor his first Academy Award nomination.

Seeking is a great film not so much for what it is, but more so what it isn't - it's not over-the-top, it's not self-indulgent, it's not sugary sweet nor extremely predictable, etc. When Dodge and Penny have a funny moment, it's funny because the moment itself is natural. With each twist and turn Dodge and Penny encounter along their journey, you feel their relationship deepen to the point you are fully invested in their lives (or at least, what they may have left of them). 

The film's supporting cast likewise does an excellent job at helping build the film's emotional content by reflecting the (likely) attitudes of people at various points in life realizing they may not be long for this world. Thus, whereas some are emotional messes and others embrace the chaos, you get to see a full range of emotions and how they do/don't affect Penny and Dodge.

This is all to the credit of first-time director (and Seeking screenwriter) Lorene Scafaria. The film is not morose, it's not sappy, it's not wacky, it's just ... Simple and well-crafted. And given some of the other apocalyptic tales we've been offered recently by Hollywood, that's not small achievement to say the least.

PARTING SHOT: If you enjoy well-done romantic comedies, Seeking a Friend for the End of the World should be on your bucket list before you leave this one.

RATING (OUT OF FOUR BUCKETS OF POPCORN):

"Chucky" returns -- "Curse of Chucky" in the works

Tampa writer and director Don Mancini, father of the "Chucky" franchise, is setting of "Curse of Chucky," and already has Brad Dourif on board as the voice of the little creep for this latest doll-who-kills sequel.

Bloody Disgusting is reporting that. 
There have been many Chuckys, and Mancini has had a hand in them all. If he's invested wisely, he should have enough to own an island or two off

Woody Allen's Euro-films spoofed to death



Woody Allen's "To Rome With Love" opened with a staggering $75k per screen average (New York, LA). But don't be fooled. And as this "Funny or Die" spoof points out, the Wood-man has gotten pretty stale over the course of his Grand Tour.
New Woody Allen Trailer from Tess Kartel

Movie Preview: "Celeste & Jesse Forever"

Here's the REAL reason Andy Samberg figured the time was right to bail out of SNL. Rashida Jones and Samberg star in this rom-com about "the perfect breakup," a married couple, separated, but not really. Until somebody else enters the picture. Cute.

Bulgarian director, "Avatar" SFX guy will give us big screen Minotaur in "Theseus"

Javor Gadrev, who broke out with his export hit ""Zift" a few years back, has his hands on "Theseus," a big screen sword-and-sorcery swashbuckler, "Theseus," tale from Greek mythology.
THR says they've rounded up a character designer from "Avatar" to do the Minotaur in this story of the founder-hero of Athens, slayer of the Minotaur.
We've had Perseus and Heracles. Sooner or later, somebody was

Sunday, 24 June 2012

MOVIE OF THE WEEK (6/22/12): BRAVE



"Mike Myers ... You sha' pay for all ye years of bad Scottish accent-related jokes!" Princess Merida (voiced by Kelly Macdonald) gets ready to showcase her skills with a crossbow in a scene from Disney/Pixar's latest animated adventure BRAVECredit: © 2011 Disney/Pixar. All Rights Reserved.

KEY VOICE CAST MEMBERS: Kelly Macdonald, Emma Thompson, Kevin McKidd, Billy Connolly, Robbie Coltrane, Craig Ferguson, Julie Walters and John Ratzenberger

WRITER(S): Mark Andrews, Irene Mecchi, Brenda Chapman and Steve Purcell (screenplay); Brenda Chapman (story)

DIRECTOR: Mark Andrews, Brenda Chapman and Steve Purcell


THE PLOT: An animated adventure catering to tomboys and their mothers alike, Brave centers around Princess Merida (voiced by Kelly Macdonald, Boardwalk Empire). Growing up under the watchful eye of her mother Queen Elinor (voiced by Emma Thompson), who is ever the proper lady, Merida is much more like her father, King Fergus (voiced by Billy Connolly) – a loud, whirling dervish of a man who loves a good adventure as much as he does telling the story of how he lost his foot to a monster of a bear with whom he still has a score to settle ...

Anyway, as Merida matures, she becomes more and more of a free spirit ... Which leads to a problem when it becomes time for her to be paired with a suitor. While she doesn't mind being a role model to her triplet younger brothers Harris, Hubert and Hamish, Merida is nowhere near ready to be the lady her mother wants her to be ... Because that is not the lady she wants to be.

As fate – pun intended – would have it, Merida ventures into the forest where she runs into a witch (voiced by Julie Waltdrs) who offers her the opportunity to change her fate ...

So what does she do? If it is your fate to find out, you will know likely soon after the time you read this ...

THE TAKE: Given the success of franchise films like Toy Story and Cars coupled with that of individual movies like Up, Finding Nemo and WALL–E, the Pixar name is pretty much the cinematic equivalent of Lexus, BMW and Mercedes-Benz when it comes to animated movies. While there are plenty of other studios who offer up good competition, there's nothing quite like the Pixar experience.

That's why some people might be a tad disappointed with Brave; for while it is in fact a solid movie, it lacks that distinct quality that makes it another Pixar classic.

I really don't have much more I can say about Brave than that. For sure, it's a fine adventure that provides a good lesson for children (young girls in particular) and parents alike about listening to one another and learning to accept someone for who they are instead of who you want them to be ... But it's just lacks that special something to make it phenomenal. Think of it this way: It's like a really great hamburger ... Unless it has some super-rare, one-of-a-kind quality (farm-raised kobe beef that is hand-rubbed with spices flown in from a medicine man's shack in Peru, perhaps?) to it, it's still a hamburger at the end of the day. And in a sumer full of pretty decent meals, Brave lacks the ingredients to take home top prize.

PARTING SHOT: A nice animated adventure that should help uplift the spirits of young ladies everywhere while delivering an entertaining experience for the whole family, Brave is a fine outing and another Pixar hit ... Just not an all-time one. 

RATING (OUT OF FOUR BUCKETS OF POPCORN):

Box office: "Brave" $66.5+, "Lincoln-Vampire," maybe $16

Pixar's latest and Dreamworks' most recent took the top two spots at the box office this weekend, as "Brave" rolled out to an impressive $65 million plus, with "Madagascar 3," the top film the last two weeks, slipping only to #2.
"Abraham Lincoln: Vampire Hunter" took a critical beatdown and then failed to do much at the box office. Maybe $16 million, with audience falling off from Friday to Sat.

Saturday, 23 June 2012

Box Office: "Brave" is on target for a $70 million weekend, "Lincoln" flails

For the 13th time in a row, a Pixar picture has opened at number nne at the box office on its opening weekend.
"Brave," built around a heroine, not a hero, a feisty Scottish girl voiced by Kelly Macdonald, romped through Friday $25 million on what is usually the second biggest weekend day for an animated hit -- pointing to a $70 million+ opening. Critics have finally gotten over their fear of